The Purple RobeAuthor: David Dean
Publisher: Tumblar House
Publication Date: September 4, 2014
Rumors rising out of the Yucatan jungle report healings and miracles attributed to a holy relic. Father Pablo Diego Corellas discovers that even his own parishioners are making secret pilgrimages to the decrepit plantation where it is held. There, Doña Josefa, a mysterious woman who is either mystic or mad, possesses an artifact that she claims is a fragment of the robe worn by Christ at his trial. Guarded by armed Mayan farmers, she holds sway over an ever-growing number of pilgrims desperate for the healing power of the Purple Robe. Much against his own wishes, young Father Pablo is dispatched to the interior to investigate, while a police captain and a vacationing American couple make plans of their own for the robe. But when the relic is stolen, they soon discover that miracles have unforeseen consequences, and that no one is beyond their reach.
Two married people have an affair. The man thinks to himself about how American women give themselves so vigorously. There is some physical description of the woman.Violence & Gore: Moderate
There are some scenes with mobs and guns. Some people are seriously injured and others die.Profanity: None Alcohol/Drugs/Smoking: Mild Some characters drink on certain scenes.
NOTE: This guide may be incomplete.
1.) What inspired you to write this book?
The idea for “The Purple Robe” came to me over a decade ago. I was working with another writer at the time (he was coaching me in my writing skills) and we had met in a coffee shop. During the discussion he asked me if I had any ideas for a novel—most of my work had been in short fiction up to this point. After mulling his question over for a moment, I outlined the plot to “The Purple Robe” almost exactly as it came to be written. I hadn’t known it was there until he asked. He looked at me and said something to the effect of, “That’s a great idea—I’d love to read that book! How long have you been thinking it over?” I shook my head, and replied, “I’m not really sure—my brother and I spent some time in the Yucatan recently and I guess it inspired me.” That certainly explained the setting of the book, but I wasn’t at all sure where the characters and plot came from; I had given the idea no conscious thought that I remembered. After our meeting, I jotted the outline down on a legal pad and didn’t touch it for several years. It was only during the actual writing of it that it occurred to me that I might not be working entirely on my own. I like to believe that the Holy Spirit had a hand in the creation of the story, and I hope that that is true.
2.) How much of the book is realistic?
As I mentioned, my older brother, Danny and I, took a trip to the Yucatan some years ago. We spent time in Merida and the coastal town of Progreso. Much of the story of “The Purple Robe” occurs in Progreso, though I’ve taken liberties with some of the geography. However, I trust that anyone who’s been there, or who is lucky enough to live there, will recognize many of the locations. Beyond the locale, I’m afraid nearly everything else (characters, events, etc…) is the product of my imagination, though I will happily admit that the kind residents of that town certainly provided a spark for all that followed.
3.) Are experiences based on someone you know, or events in your own life?
See above answers.
4.) What were the challenges (research, literary, psychological) in bringing your book to life?
Research was made easier by the time I spent in the Yucatan. My local library, and the internet, proved useful for tidbits concerning the region, and insight into the broader spectrum of Mexican history which informs some of the action. It was the literary, and psychological, challenge that was most daunting in the beginning—how to write a novel featuring a different culture and peoples without being either condescending on the one hand, or fawning on the other. Several times I considered placing the story somewhere in the U.S. But each time I discarded the idea. Mexico is still a predominantly Catholic Christian nation, and one in which faith plays a large, and active, part in the daily lives of its people. If I had placed the story in the U.S. the plot would have been forced by that to include a lot of distracting elements that I didn’t want to dominate the story. The characters of James and Brenda Arbor (vacationing Americans) provide the worldliness and cynicism that I needed for the “The Purple Robe”, but not so much as to overwhelm it, which would’ve been difficult to accomplish, sadly, had I set it in the States where talk of miracles is generally greeted with derision. No, it had to be Mexico, the nation where Our Lady appeared to Juan Diego at Guadalupe. I needed a locale where the possibility of such things would not be instantly decried as medieval nonsense, but be considered with anticipation and joy; which is not to say that I think of Mexicans as simple and unquestioning zealots, but rather that their great faith allows them to keep a truly open mind when it comes to matters of science and God. I think that is equally true of most Catholic believers, though here in the U.S. we lack the comfort of numbers in which to express it. It was this shared Catholic faith that provided me the answer to my concerns about characterization: instead of allowing the differences of history and culture to separate me from the people I was writing about, I had our mutual faith and shared Catholic history to inform me. Once I realized this, I believed that I could do them justice and never looked back. I hope that this is true, and pray that no one will be ill-served by my words.
5.) What books/authors have influenced your writing?
Answer: Where, oh where, shall I begin? My favorite authors run the gamut, I think. I have been influenced by the works of Joseph Conrad, H.H. Munro, Flannery O’Connor, Ray Bradbury, Richard Matheson, Graham Greene, Gabriel Garcia Marquez, Edgar Allan Poe, Joyce Carol Oates, Evelyn Waugh, and Ambrose Bierce, to name just a few.
6.) What do you think makes a good story?
Answer: Anything that touches on the human condition in a compassionate way has merit in my mind. Of course the writing needs to be good and the characters believable. This doesn’t mean it has to be a soft piece, far from it, but those works that stand the test of time contain that spark of humanity within them. Some of the cruelest stories I’ve ever read (many of O’Connor’s works would fit this category) illumine man’s struggle to rise above his own selfish, violent behavior, in search of the divine within, or outside of, himself. Others accomplish the same goal relying more on a gentle humor, and tolerance, of man’s frailties and self-absorption. “The Purple Robe” contains elements of both, I hope. The reader will be the judge of that.
David's short stories have appeared regularly in ELLERY QUEEN MYSTERY MAGAZINE, as well as a number of anthologies, since 1990. His stories have been nominated for the Shamus, Barry, and Derringer Awards and "Ibrahim's Eyes" won the EQMM Readers Award for 2007. His story, "Tomorrow's Dead", was a finalist for the Edgar for best short story of 2011. He is a retired Chief of Police in New Jersey and once served as a paratrooper with the 82nd Airborne Division.